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Wide Mug by Fern Taylor - handbuilt nerikomi ceramic mug - mixed patterns - Fodder

Wide Nerikomi Mug | Fern Taylor

Fern Taylor

£42.00
| /

Only 2 left

Only 1 left

In stock

Only 2 left

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Wide Nerikomi Mug | Fern Taylor

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Wide Nerikomi Mug | Fern Taylor

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A wider take on Fern Taylor’s handbuilt mug, with a bit more room in the hand and the same way of making behind it. Each one is built using nerikomi, a Japanese technique where coloured clays are layered and joined so the pattern runs right through the piece rather than being painted on the surface. Every mug is its own thing, and it’s finished with a transparent gloss glaze that brings out the colour and gives a soft shine.

Fern trained as a painter before she came to clay, and you can see it in how she puts colour and pattern together. Because the process is unpredictable, no two are ever quite alike, so you choose from the designs shown.

The details

  • Handbuilt mug by Fern Taylor
  • Hand-built stoneware, natural off-white base
  • Nerikomi technique, with patterns running through the clay
  • Finished in a transparent gloss glaze
  • Patterns and colourways vary from piece to piece, choose from those shown
  • Approx 8.5cm wide (excluding handle) x 8.5cm tall
  • Each one a one-off, so yours will differ from the one photographed
  • Made by hand in Deptford, London

Please note that due to the handmade nature of all products, the dimensions, colours, glazes etc. may vary from piece to piece. The image here is for illustration purposes only and you may not receive the actual piece featured in the image.

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MEET THE MAKER

Fern Taylor

Maker Details

Location

Deptford, London

Main Materials

Stoneware

Technique

Nerikomi

Making Since

2020

In the Fodder Fold Since

2025

As Seen In
Bio

Fern Taylor is a ceramicist specialising in Nerikomi, a traditional Japanese technique that involves layering coloured clays to create intricate, patterned surfaces. Fern's practice is rooted in a celebration of colour, pattern, and composition—qualities that stem from her background in painting, which she studied at university before transitioning into ceramics. This shift from two-dimensional to three-dimensional making was initially driven by a desire to work more intuitively with material and form, using Nerikomi as a means to explore the intersection of pattern, repetition, and the unpredictability of process. Each piece is built slowly, allowing the organic patterns to take shape.